You want to know if you've created and written a Mary Sue? Take this handy "Mary Sue Litmus Test". This test has been designed to help an aspiring author determine whether his or her character is a Mary Sue, or is simply another addition to the megaverse that is fanfiction. Scoring is simple -- for every question answered "Yes," (even if it's "technically yes, but," still count a yes) add the number of points in brackets to your score. Be honest; you're not helping yourself by saying "But it doesn't really count because ... " The higher your score, the more likely it is the character is a problem, or worse, is a retread of an hundred characters exactly like him/her/it.
This orginal Mary Sue Litmus Test was made by and copyright Melissa "Merlin Missy" Wilson. This test was slightly refigured from it's original form for the world of TLK fiction but I am in no way attempting to take credit for it's creation.
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Is the character named after you? (This can be your first name, middle name, or the name you go by in chat or irc.) If so, stop now. Put your pencil down and turn in your test. [10]
DO NOT NAME YOUR CHARACTER AFTER YOURSELF.
DO NOT NAME YOURSELF AFTER YOUR CHARACTER.
I DON'T CARE WHAT YOUR EXCEPTION IS.
Is the character's name an unusual spelling of a more common name or word? [1]
Is the character's name unusual in another way? (Doesn't really count for TLK, since almost everything is in Swahili) [1]
Section 2 - Physical Attributes
Is the character the same gender as you? [1]
Is the character from the same racial group as you? (Again, this doesn't really count for TLK for obvious reasons.) [1]
Is the character a hybrid of two or more species? [3]
Is the character a cross-breed of any other type? (i.e. multi-racial, multi-clan) [1]
Is the character a teenager or in her/his early twenties? (Adolescent to early adult for TLK) [1]
Does the character look like s/he is a teenager or in her/his early twenties for no apparent reason (Adolescent to early adult for TLK) [2]
Section 3 - Personal Traits
Is the character the long-lost child or descendent or sibling of a regular or recurring character? [1]
Section 4 - Super Powers
Is the character at all or part shaman or god? [1]
Section 5 - The Love Connection
Does the character fall in love with and/or have sex with another recurring character from the show? [1] (For TLK fiction, add another point if it's Nuka, Timon or Scar)
Section 6 - The Real World and Your Character
Would you like to be friends with the character if you met in real life? [1]
Do you think everyone who reads the story should automatically like the character and want to be friends with the character? [1]
If someone tells you he/she doesn't like your character, do you take it as a personal attack on you? [1]
Do you ever pretend, just to yourself, that you are the character, with the same strengths and abilities? [1]
Section 7 - The Fiendish Plot
Do you introduce the character on the first page of the story? [2]
Do you tell the story from the character's point of view, all or mostly? [1]
Does the character meet someone from Pride Rock, and after a few tense pages of plot, become friends with them? [2]
Does the character manage to develop a friendship with an otherwise villainous character, and through this friendship, reform the other character? [2]
Possible Points: 115 (assuming some questions obviate the rest) Preliminary testing suggests the following basic scoring scheme:* * * * *
0 -14 Developed character, unlikely MS.
15 -19 Borderline character. Characters in this range are potential MS's, who can go either way dependent on the author's skill.
20 - 34 Mary Sue/Gary Stu. Proceed with greatest caution.
35+ Reconsider your character and plot. Please.
Okay, so you've taken the test, and the character in question has failed miserably. You're stuck with a conundrum: should you write this wonderful story you have in your head? How can you do it without your character? I can't answer that for you. There are plenty of wonderful stories out there with characters who fit an alarming number of these traits, and still manage to be excellent fiction with interesting characters. The authors in question knew what they were doing when handling a character of this type, and pulled it off well. On the other hand, there are a disturbingly large number of stories in the same places with very painful examples of the above in them. Some of them helped inspire the test. In the end, your own common sense must be the judge.
If you see too many traits in common with your own character, can you change the character accordingly? Does the character have to be, or look, sixteen (adolescent to early adult for TLK)? Can you tell the exact same story with just the regulars? (You'd be amazed how often a little imagination can make this work, sometimes with even better results. Try it.) Does the character have to save the day? Must he/she be such an integral part of the story? Can you use the character instead as a means of examining the reactions of the regulars (to something other than the character's demise)? Can you give the character a major flaw? (Being unable to sing is not a major flaw. Being a lion who refuses to kill other animals for food is a major flaw. Being socially inept can be a major flaw.)
I have one piece of advice to impart. (You knew this was coming.) When creating a new character, no matter of what species, at his or her most basic level, the character will be human, because the author will be human. The audience will also be human, and will relate to the character on those terms. Yes, your character might have wonderful magical powers, and that is fun to fantasize about having for yourself. At the same time, your character also has fears, and wishes, and dreams, and s/he will make mistakes, sometimes painful ones. Not everything your character does can be perfect and good. Humans don't work that way. We say stupid things sometimes, and get wrapped up in ourselves, and we step on the feelings of other people whether we mean to or not, and we laugh at dumb jokes, and we smell bad when we sweat, and we drool on our pillows.
If you really want to make an original character, give him or her bad habits, and good ones, and thoughts you don't necessarily share. Have the relationship not necessarily work out, especially right from the start. First and last of all, be real. The fantasy will make itself.
Some links to other sites with info about Mary Sue: